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designed to initiate a global paradigm shift towards a world where racism, poverty
and war will be a thing of the past.

Category: movies

Alone in the Wilderness


Richard Louis “Dick” Proenneke (May 4, 1916–April 28, 2003) was a naturalist who lived alone in the high mountains of Alaska at a place called Twin Lakes. Living in a log cabin he constructed by hand, Proenneke made valuable recordings of both meteorological and natural data.

On May 21, 1968, Proenneke arrived at his new place of retirement at Twin Lakes. Before arriving at the lakes, he made arrangements to use a cabin on the upper lake of Twin Lakes owned by a retired Navy captain, Spike Carrithers, and his wife Hope from Kodiak. This cabin was well situated on the lake and close to the site which Proenneke chose for the construction of his own cabin. Proenneke’s bush pilot friend, Babe Alsworth, returned occasionally to bring food and orders that Proenneke placed through him to Sears.

Proenneke remained at Twin Lakes for the next 16 months, when he left to go home for a spell to visit relatives and secure more supplies. He returned to the lakes in the following spring and remained there for most of the next 30 years, coming to the lower 48 only occasionally to be with his family.

In 1999, at age 82, Proenneke returned to civilization and lived the remainder of his life with his brother in California. He died of a stroke April 28, 2003 at the age of 86. He left his cabin to the National Park Service and it remains today as a popular visitor attraction in the still-remote Twin Lakes region.

In 1973, Sam Keith wrote the book One Man’s Wilderness: An Alaskan Odyssey, based on Proenneke’s journals and photography. After years in print and a re-edition, the book won the 1999 National Outdoor Book Award. In 2005, some of Proenneke’s film, Alone in the Wilderness, began appearing on U.S. Public Television. Primarily, the film consists of shots of Proenneke performing tasks around his cabin, canoeing and walking, and views of wildlife, along with narration. (read more)

Leslie Nielsen


Leslie William Nielsen, OC (February 11, 1926 – November 28, 2010) was a Canadian-American actor and comedian. Nielsen appeared in over 100 films and 1,500 television programs over the span of his career, portraying over 220 characters. Born in Regina, Saskatchewan, Canada, Nielsen enlisted in the Royal Canadian Air Force and worked as a disc jockey before receiving a scholarship to Neighborhood Playhouse. Beginning with a television role in 1948, he quickly expanded to over 50 television appearances two years later. Nielsen appeared in his first films in 1956 and began collecting roles in dramas, westerns, and romance films. Nielsen’s lead roles in the films Forbidden Planet (1956) and The Poseidon Adventure (1972) received positive reviews as a serious actor.

Although Nielsen’s acting career crossed a variety of genres in both television and films, his deadpan delivery as a doctor in Airplane! (1980) marked a turning point in his career, one that would make him, in the words of film critic Roger Ebert, “the Olivier of spoofs.” Nielsen enjoyed further success with The Naked Gun film series, based on a short-lived television series Police Squad he starred in. His portrayal of serious characters seemingly oblivious to (and complicit in) their absurd surroundings gave him a reputation as a comedian. In the final two decades of his career, Nielsen appeared in multiple spoof and parody films, many of which were met poorly by critics but performed well in box office and home media releases. He was recognized with a variety of awards throughout his career and was inducted into both the Canada and Hollywood Walk of Fame. Nielsen married four times and had two daughters from his second marriage. On November 28, 2010, Nielsen died in his sleep in a Fort Lauderdale, Florida hospital of complications from pneumonia.
(read more)

Airplane trailer

The Wall

The Red Pill

I can see it in your eyes.

You have the look of a man who accepts
what he sees because he’s expecting to
wake up. Ironically, this is not far from
the truth. Do you believe in fate, Neo?

Neo: No.

Morpheus: Why not?

Neo: ‘Cause I don’t like the idea that
I’m not in control of my life.

Morpheus: I know exactly what you mean.

Let me tell you why you’re here.
You’re here because you know something.
What you know, you can’t explain.
But you feel it. You felt it your entire
life. That there’s something wrong
with the world. You don’t know what
it is, but it’s there. Like a splinter
in your mind — driving you mad.
It is this feeling that has brought you
to me. Do you know what I’m talking about?

Neo: The Matrix?

Morpheus: Do you want to know what it is?

(Neo nods his head.)

Morpheus: The Matrix is everywhere,
it is all around us. Even now,
in this very room. You can see it when
you look out your window, or when
you turn on your television. You can
feel it when you go to work, or when
go to church or when you pay your taxes.
It is the world that has been pulled
over your eyes to blind you from the truth.

Neo: What truth?

Morpheus: That you are a slave, Neo.
Like everyone else, you were born into
bondage, born inside a prison that
you cannot smell, taste, or touch.
A prison for your mind. (long pause, sighs)
Unfortunately, no one can be told what the
Matrix is. You have to see it for yourself.
This is your last chance. After this,
there is no turning back.

(In his left hand, Morpheus shows a blue pill.)

Morpheus: You take the blue pill and
the story ends. You wake in your bed
and believe whatever you want to believe.

(a red pill is shown in his other hand)

You take the red pill and you stay in
Wonderland and I show you how deep the
rabbit-hole goes. (Long pause;
Neo begins to reach for the red pill)
Remember — all I am offering is the
truth, nothing more.

(Neo takes the red pill and
swallows it with a glass of water)

Explicit

Don’t watch this video if you’re easily offended

Some Like It Hot


Tony Curtis (June 3, 1925 – September 29, 2010) was an American film actor. He played a variety of roles, from light comedy, such as the musician on the run from gangsters in Some Like It Hot, to serious dramatic roles, such as an escaped convict in The Defiant Ones, which earned him a nomination for the Academy Award for Best Actor. From 1949, he appeared in more than 100 films and made frequent television appearances.

Curtis was born Bernard Schwartz in the Bronx, New York, the son of Emanuel Schwartz and his wife Helen Klein. His parents were Hungarian Jewish immigrants from Mátészalka, Hungary; Hungarian was Curtis’ only language until he was five or six.

His mother had once made an appearance as a participant on the television show You Bet Your Life, hosted by Groucho Marx. Curtis said, “When I was a child, Mom beat me up and was very aggressive and antagonistic.” His mother was later diagnosed with schizophrenia, a mental illness which also affected his brother Robert and led to his institutionalization. When Curtis was eight, he and his younger brother Julius were placed in an orphanage for a month because their parents could not afford to feed them. Four years later, Julius was struck and killed by a truck.

During World War II, Curtis joined the United States Navy due to watching Cary Grant in Destination Tokyo and Tyrone Power in Crash Dive (1943). He served aboard USS Proteus (AS-19), a submarine tender, and on September 2, 1945, he witnessed the Japanese surrender in Tokyo Bay from about a mile away. Following his discharge, Curtis studied acting at the Dramatic Workshop of The New School in New York with the influential German stage director Erwin Piscator, along with Elaine Stritch, Walter Matthau, and Rod Steiger. He was discovered by a talent agent and casting director Joyce Selznick. Curtis claims it was because he “was the handsomest of the boys.”

Later, as “Tony Curtis”, he cemented his reputation with breakthrough performances such as in the role of the scheming press agent Sidney Falco in Sweet Smell of Success (1957) with Burt Lancaster and an Oscar-nominated performance as a bigoted escaped convict chained to Sidney Poitier in The Defiant Ones. He did both screen comedy and drama together and became the most sought after star in Hollywood: Curtis’ comedies include Some Like It Hot and Sex and the Single Girl, and his dramas include The Outsider, the true story of WW II veteran Ira Hayes, and The Boston Strangler, in which he played the self-confessed murderer of the film’s title, Albert DeSalvo. The latter film was praised for Curtis’ performance.

Throughout his life, Curtis enjoyed painting, and since the early 1980s, painted as a second career. His work commands more than $25,000 a canvas now. In the last years of his life, he concentrated on painting rather than movies. A surrealist, Curtis claimed “Van Gogh, Matisse, Picasso, Magritte” as influences. “I still make movies but I’m not that interested in them any more. But I paint all the time.” In 2007, his painting The Red Table was on display in the Metropolitan Museum of Art in New York City. His paintings can also be seen at the Tony Vanderploeg Gallery in Carmel, California.

Curtis spoke of his disappointment at never being awarded an Oscar. But in March 2006, Curtis did receive the Sony Ericsson Empire Lifetime Achievement Award. He also has a star on the Hollywood Walk of Fame, and received the Ordre des Arts et des Lettres (Order of Arts and Letters) from France in 1995.

Curtis was married six times. His first wife was actress Janet Leigh, to whom he was married from 1951 – 1962, and with whom he fathered actresses Jamie Lee and Kelly Curtis.

Curtis stated on the television series Shrink Rap that he had a brief relationship with Marilyn Monroe in 1949 which had to end due to their different work commitments. He also details their brief relationship in his memoir, American Prince.

Tony Curtis died in bed at his Las Vegas home, on September 29, 2010 at 9:25 PM of cardiac arrest.
(read more) (watch trailer)

Follow The Yellow Brick Road


The Wizard of Oz is a 1939 American musical fantasy film directed primarily by Victor Fleming from a script mostly by Noel Langley, Florence Ryerson and Edgar Allan Woolf, with uncredited contributions by others. It was based on the 1900 novel of the same name by L. Frank Baum, who died twenty years before this film was released. Notable in its use of special effects, use of Technicolor, fantasy storytelling and unusual characters, The Wizard of Oz has become, over the years, one of the best known of all films. Its impact, however, was not nearly as strongly felt at the time of its original release.

Initially, The Wizard of Oz made only a small profit due to its enormous budget, despite largely favorable critical reviews. “Over the Rainbow” won the Academy Award for Best Original Song and the film itself received several Academy Award nominations, including Best Picture.

Telecasts of the film began in 1956, and because of them the film has found a larger audience—its television screenings were once an annual tradition and have re-introduced the film to the public, making The Wizard of Oz one of the most famous films ever made. The Library of Congress named The Wizard of Oz as the most-watched film in history. It is often ranked among the top ten best movies of all-time in various critics’ and popular polls, and it has provided many memorable quotes.

In a movie section front page retrospective of The Wizard of Oz, noted San Francisco Chronicle film critic and author Mick LaSalle declared on October 30, 2009 that the film’s “entire sequence, from Dorothy’s arrival in Oz to her departure on the Yellow brick road, has to be one of the greatest in cinema history — a masterpiece of set design, costuming, choreography, music, lyrics, storytelling and sheer imagination.” (read more) (video clip)

Today is the 71st Anniversary of The Wizard of Oz

Get busy living…or get busy dying…


The Shawshank Redemption is a 1994 drama film written and directed by Frank Darabont. It is an adaptation of the Stephen King novella Rita Hayworth and Shawshank Redemption. The film stars Tim Robbins as Andrew “Andy” Dufresne and Morgan Freeman as Ellis Boyd “Red” Redding.

The film portrays Andy, who spends nearly two decades in Shawshank State Prison, a fictional penitentiary in Maine, and his friendship with Red, a fellow inmate.

Despite a lukewarm box office reception that was barely enough to cover its budget, the film received favorable reviews from critics, multiple award nominations, and has since enjoyed a remarkable life on cable television, VHS, DVD, and Blu-ray. This revival is reflected in its high placement on various lists of great movies.

Chicago Sun-Times film reviewer Roger Ebert suggests that the integrity of Andy Dufresne is an important theme in the story line, especially in prison, where integrity is lacking.

The Shawshank Redemption is an allegory for maintaining one’s feeling of self worth when placed in a hopeless position.

Angus C. Larcombe suggests that the film provides a great illustration of how characters can be free, even in prison, or unfree, even in freedom, based on one’s outlook in life. (read more)

Fight Club

You Do Not Talk About Fight Club

(fight club trailer)

Dennis Hopper

“You want to hear about insanity?
I was found running naked through the jungles in Mexico”
…Dennis Hopper…

Dennis Lee Hopper (May 17, 1936 – May 29, 2010) was an American actor, filmmaker and artist. As a young man, Hopper became interested in acting and eventually became a student of the Actors Studio. He made his first television appearance in 1955, and appeared in two films featuring James Dean, Rebel Without a Cause (1955) and Giant (1956). Over the next ten years, Hopper appeared frequently on television in guest roles, and by the end of the 1960s had played supporting roles in several films. He directed and starred in Easy Rider (1969), winning an award at the Cannes Film Festival and was nominated for an Academy Award for Best Original Screenplay as co-writer. Film critic Matthew Hays notes that “no other persona better signifies the lost idealism of the 1960s than that of Dennis Hopper.” (read more)

(watch original trailer)

Auntie Mame

“Life is a banquet…

and most poor suckers are starving to death”

“Auntie Mame”

“bedazzled”

The Devil threatens revenge on God by unleashing all the tawdry and shallow technological curses of the modern age:

“All right, you great git, you’ve asked for it. I’ll cover the world in Tastee-Freez and Wimpy Burgers. I’ll fill it full of concrete runways, motorways, aircraft, television and automobiles, advertising, plastic flowers and frozen food, supersonic bangs. I’ll make it so noisy and disgusting that even you’ll be ashamed of yourself.”

“bedazzled” 1967 Trailer

I Like Smoking

I like smoking…

I know it’s bad for me…

and I know I should quit…

but I don’t want to give it up…

it’s like losing an old friend…

maybe I could find another friend…

I don’t know what I’m going to do.

(link)

And Now To Something Completely Different

Say no more,

know what I mean,

nudge, nudge

wink, wink.


M.A.S.H.

All You Need Is

We are born alone

live alone

die alone

What have we without love?

I Love Science Fiction






Amazing Stories

Art Imitates Life


District 9 earned overwhelmingly positive reviews from critics. On the film review website Rotten Tomatoes, it currently holds a “Certified Fresh” rating, with 89% of critics giving it a positive review, with the consensus being, “technically brilliant and emotionally wrenching, District 9 has action, imagination, and all the elements of a thoroughly entertaining science-fiction classic”.

Some critics have been ecstatic about the film. Sara Vilkomerson of The New York Observer writes, “District 9 is the most exciting science fiction movie to come along in ages; definitely the most thrilling film of the summer; and quite possibly the best film I’ve seen all year.” Christy Lemire from the Associated Press was impressed by the plot and thematic content, claiming that “District 9 has the aesthetic trappings of science fiction but it’s really more of a character drama, an examination of how a man responds when he’s forced to confront his identity during extraordinary circumstances.” Entertainment Weekly’s Lisa Schwarzbaum described it as “…madly original, cheekily political, and altogether exciting…”

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