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Category: books

PLAN RED

 

Edgar Allen Poe

Fanny Hill

He was not of an age but for all time!

To the Memory of My Beloved the Author, Mr. William Shakespeare
By Ben Jonson

To draw no envy, Shakespeare, on thy name,
Am I thus ample to thy book and fame;
While I confess thy writings to be such
As neither man nor muse can praise too much;
‘Tis true, and all men’s suffrage. But these ways
Were not the paths I meant unto thy praise;
For seeliest ignorance on these may light,
Which, when it sounds at best, but echoes right;
Or blind affection, which doth ne’er advance
The truth, but gropes, and urgeth all by chance;
Or crafty malice might pretend this praise,
And think to ruin, where it seem’d to raise.
These are, as some infamous bawd or whore
Should praise a matron; what could hurt her more?
But thou art proof against them, and indeed,
Above th’ ill fortune of them, or the need.
I therefore will begin. Soul of the age!
The applause, delight, the wonder of our stage!
My Shakespeare, rise! I will not lodge thee by
Chaucer, or Spenser, or bid Beaumont lie
A little further, to make thee a room:
Thou art a monument without a tomb,
And art alive still while thy book doth live
And we have wits to read and praise to give.
That I not mix thee so, my brain excuses,
I mean with great, but disproportion’d Muses,
For if I thought my judgment were of years,
I should commit thee surely with thy peers,
And tell how far thou didst our Lyly outshine,
Or sporting Kyd, or Marlowe’s mighty line.
And though thou hadst small Latin and less Greek,
From thence to honour thee, I would not seek
For names; but call forth thund’ring Aeschylus,
Euripides and Sophocles to us;
Pacuvius, Accius, him of Cordova dead,
To life again, to hear thy buskin tread,
And shake a stage; or, when thy socks were on,
Leave thee alone for the comparison
Of all that insolent Greece or haughty Rome
Sent forth, or since did from their ashes come.
Tri’umph, my Britain, thou hast one to show
To whom all scenes of Europe homage owe.
He was not of an age but for all time!
And all the Muses still were in their prime,
When, like Apollo, he came forth to warm
Our ears, or like a Mercury to charm!
Nature herself was proud of his designs
And joy’d to wear the dressing of his lines,
Which were so richly spun, and woven so fit,
As, since, she will vouchsafe no other wit.
The merry Greek, tart Aristophanes,
Neat Terence, witty Plautus, now not please,
But antiquated and deserted lie,
As they were not of Nature’s family.
Yet must I not give Nature all: thy art,
My gentle Shakespeare, must enjoy a part.
For though the poet’s matter nature be,
His art doth give the fashion; and, that he
Who casts to write a living line, must sweat,
(Such as thine are) and strike the second heat
Upon the Muses’ anvil; turn the same
(And himself with it) that he thinks to frame,
Or, for the laurel, he may gain a scorn;
For a good poet’s made, as well as born;
And such wert thou. Look how the father’s face
Lives in his issue, even so the race
Of Shakespeare’s mind and manners brightly shines
In his well-turned, and true-filed lines;
In each of which he seems to shake a lance,
As brandish’d at the eyes of ignorance.
Sweet Swan of Avon! what a sight it were
To see thee in our waters yet appear,
And make those flights upon the banks of Thames,
That so did take Eliza and our James!
But stay, I see thee in the hemisphere
Advanc’d, and made a constellation there!
Shine forth, thou star of poets, and with rage
Or influence, chide or cheer the drooping stage;
Which, since thy flight from hence, hath mourn’d like night,
And despairs day, but for thy volume’s light.

I Robot by Eando Binder

The story is about a robot’s confession. Some weeks earlier, its builder, Dr. Charles Link, built it in the basement. Link teaches his robot to walk, talk and behave civilly. Link’s housekeeper sees the robot just enough to be horrified by it, but his dog is totally loyal to it. The robot is fully educated in a few weeks, Link then names it Adam Link, and it professes a desire to serve any human master who will have it. Soon afterwards, a heavy object falls on Dr. Link by accident and kills him. His housekeeper instantly assumes that the robot has murdered Dr. Link, and calls in armed men to hunt it down and destroy it. They don’t succeed; in fact, they provoke the robot to retaliate, both by refusing to listen to it and by accidentally killing Dr. Link’s dog. Back at the house, the robot finds a copy of Frankenstein, which Dr. Link had carefully hidden from the robot, and finally somewhat understands the prejudice against it. But in the end the robot decides that it simply isn’t worth killing several people just to get a hearing, writes its confession, and prepares to turn itself off.

i robot

J. Allen St. John

The Real Robinson Crusoe

“One may see that solitude and retirement from the world is not such an insufferable state of life as most men imagine, especially when people are fairly called or thrown into it unavoidably, as this man was.” Captain Rogers commenting on Alexander Selkirk’s fate when he rescued him.

War Is Peace

“If you want a vision of the future
imagine a boot
stamping on a human face
forever.”

man himself is the monster

Frankenstein; or, The Modern Prometheus, is a novel written by English author Mary Shelley about eccentric scientist Victor Frankenstein, who creates a grotesque but sentient creature in an unorthodox scientific experiment. Shelley started writing the story when she was eighteen, and the novel was published when she was twenty. The first edition was published anonymously in London in 1818. Shelley’s name appears on the second edition, published in France in 1823.

Shelley had travelled through Europe in 1814, journeying along the river Rhine in Germany with a stop in Gernsheim which is just 17 km (10 mi) away from Frankenstein Castle, where two centuries before an alchemist was engaged in experiments. Later, she traveled in the region of Geneva (Switzerland)—where much of the story takes place—and the topics of galvanism and other similar occult ideas were themes of conversation among her companions, particularly her lover and future husband, Percy Shelley. Mary, Percy, Lord Byron, and John Polidori decided to have a competition to see who could write the best horror story. After thinking for days, Shelley dreamt about a scientist who created life and was horrified by what he had made; her dream later evolved into the story within the novel.

Frankenstein is infused with elements of the Gothic novel and the Romantic movement and is also considered to be one of the earliest examples of science fiction. Brian Aldiss has argued that it should be considered the first true science fiction story, because unlike in previous stories with fantastical elements resembling those of later science fiction, the central character “makes a deliberate decision” and “turns to modern experiments in the laboratory” to achieve fantastic results. It has had a considerable influence across literature and popular culture and spawned a complete genre of horror stories, films, and plays.

Since publication of the novel, the name “Frankenstein” is often used to refer to the monster itself, as is done in the stage adaptation by Peggy Webling. This usage is sometimes considered erroneous, but usage commentators regard the monster sense of “Frankenstein” as well-established and an acceptable usage. In the novel, the monster is identified via words such as “creature”, “monster”, “fiend”, “wretch”, “vile insect”, “daemon”, “being”, and “it”. Speaking to Victor Frankenstein, the monster refers to himself as “the Adam of your labours”, and elsewhere as someone who “would have” been “your Adam”, but is instead “your fallen angel.” (read more)

Mary Shelley

failure

“All war 
is a symptom of man’s failure 
as a thinking animal.”

under the skin

The film was shot on location in Glasgow and the Scottish Highlands.
Scarlett Johansson plays an alien predator. She wears a black wig and is not immediately recognizable as she cruises through Glasgow and the surrounding countryside picking up hitchhikers in a van equipped with hidden video cameras. Like candid camera, their reactions are real and authentic. Their stories offer a glimpse of society from the point of view of the ultimate outsider. 

Adapted from the book by Michel Faber

DUNE

In the far future, the known universe is ruled by Padishah Emperor Shaddam Corrino IV. The most important substance in his galactic empire is the spice melange. The spice has many special properties, such as extending life and expanding consciousness. The most profitable of its properties is its ability to assist the Spacing Guild with folding space. The spice is vital to space travel because it allows safe interstellar travel to any part of the universe instantaneously.

Sensing a potential threat to spice production, the Guild sends an emissary to demand an explanation from the Emperor, who confidentially shares his plans to destroy House Atreides. The popularity of Duke Leto Atreides has grown, and he is suspected to be amassing a secret army using sonic weapons called Weirding Modules, making him a threat to the Emperor. Shaddam’s plan is to give the Atreides control of the planet Arrakis (also known as Dune), the only source of spice, and to have them ambushed there by their longtime enemies, the Harkonnens. The Navigator commands the Emperor to kill the Duke’s son, Paul Atreides, a young man who dreams prophetic visions of his purpose. The order draws the attention of the Bene Gesserit sisterhood, as Paul is tied to their centuries-long breeding program which seeks to produce the superhuman Kwisatz Haderach. Paul is tested by the Bene Gesserit Reverend Mother Gaius Helen Mohiam. With a deadly gom jabbar at his throat, Paul is forced to place his hand in a box which subjects him to excruciating pain. He passes to Mohiam’s satisfaction.

Meanwhile, on the industrial world of Giedi Prime, the sadistic Baron Vladimir Harkonnen tells his nephews Glossu Rabban and Feyd-Rautha about his plan to eliminate the Atreides by manipulating someone into betraying the Duke. The Atreides leave Caladan for Arrakis, a barren desert planet plagued by gigantic sandworms and populated by the Fremen, mysterious people who have long held a prophecy that a messiah would come to lead them to freedom. Upon arrival on Arrakis, Leto is informed by one of his right-hand men, Duncan Idaho, that the Fremen have been underestimated, as they exist in vast numbers and could prove to be powerful allies. Leto gains the trust of Fremen, but before the Duke can establish an alliance with them, the Harkonnens launch their attack. (read more)

steal this book


Steal This Book is a book written by Abbie Hoffman. Written in 1970 and published in 1971 the book exemplified the counter-culture of the sixties. The book sold more than a quarter of a million copies between April and November 1971. The book, in the style of the counter-culture, mainly focused on ways to fight the government, and against corporations in any way possible. The book is written in the form of a guide to the youth. Hoffman, a political and social activist himself, used many of his own activities as the inspiration for some of his advice in Steal this Book.

The main author of the book, Abbie Hoffman was one of the most influential and recognizable American activists of the twentieth century. Abbie Hoffman was born in 1936 in Worcester, Massachusetts. Hoffman wrote several books and other works such as Steal This Urine Test: Fighting Drug Hysteria in America, Revolution For the Hell of It, and The Autobiography of Abbie Hoffman. Steal this Book was written in the climate of the counter-culture, in which opposition to tradition and government was rampant, and experimentation with new forms of living was encouraged. In short, it was written in the time of “sticking it to the man.” Although the book was published in the seventies, it is truly a relic of the sixties.

Steal this Book is broken up into three sections, “Survive!”, “Fight!”, and “Liberate!”. Each section has several sub-chapters each pertaining to its section. The section “Survive!” is all about getting “free” things and as its title indicates, surviving. It includes chapters on how to acquire food, clothing, furniture, transportation, land, housing, education, medical care, communication, entertainment, money, dope, and other assorted items and services. The section “Fight!” is all about the counter-culture imperative of rebelling against the government and corporations. It includes chapters on starting an underground press, guerrilla radio, guerrilla television, what to bring to a demonstration that’s expected to be violent, how to make an assortment of home-made bombs, first aid for street fighters, legal advice, how to seek political asylum, shoplifting techniques, stealing credit cards, monkey warfare, gun laws, and identification papers. This section also includes advice on such topics as growing cannabis, living in a commune, and obtaining a free buffalo from the Department of the Interior. It discusses various tactics of fighting as well as giving a detailed list of affordable and easy ways to find weapons and armor that can be used in a confrontation with law enforcement. The section advocates rebelling against authority in all forms, governmental and corporate.The third section is “Liberate!” with the chapter headings: Fuck New York, Fuck Chicago, Fuck Los Angeles, and Fuck San Francisco. The book also includes an appendix that lists approved of organizations and other books worth stealing.

As the book ages, the specific details of the various techniques and advice Hoffman gives have become largely obsolete for technological or regulatory reasons, but the book iconically reflects the yippie zeitgeist. (read more)

Isaac Asimov


Isaac Asimov (born Isaak Yudovich Ozimov, January 2, 1920 – April 6, 1992) was an American author and professor of biochemistry at Boston University, best known for his works of science fiction and for his popular science books. Asimov was one of the most prolific writers of all time, having written or edited more than 500 books and an estimated 90,000 letters and postcards. His works have been published in all ten major categories of the Dewey Decimal System (although his only work in the 100s—which covers philosophy and psychology—was a foreword for The Humanist Way).

Asimov is widely considered a master of hard science fiction and, along with Robert A. Heinlein and Arthur C. Clarke, he was considered one of the “Big Three” science fiction writers during his lifetime. Asimov’s most famous work is the Foundation Series; his other major series are the Galactic Empire series and the Robot series, both of which he later tied into the same fictional universe as the Foundation Series to create a unified “future history” for his stories much like those pioneered by Robert A. Heinlein and previously produced by Cordwainer Smith and Poul Anderson. He wrote many short stories, among them “Nightfall”, which in 1964 was voted by the Science Fiction Writers of America the best short science fiction story of all time. Asimov wrote the Lucky Starr series of juvenile science-fiction novels using the pen name Paul French.

The prolific Asimov also wrote mysteries and fantasy, as well as much non-fiction. Most of his popular science books explain scientific concepts in a historical way, going as far back as possible to a time when the science in question was at its simplest stage. He often provides nationalities, birth dates, and death dates for the scientists he mentions, as well as etymologies and pronunciation guides for technical terms. Examples include Guide to Science, the three volume set Understanding Physics, Asimov’s Chronology of Science and Discovery, as well as works on astronomy, mathematics, the Bible, William Shakespeare’s writing and chemistry.

Asimov was a long-time member and Vice President of Mensa International, albeit reluctantly; he described some members of that organization as “brain-proud and aggressive about their IQs.” He took more joy in being president of the American Humanist Association. The asteroid 5020 Asimov, a crater on the planet Mars, a Brooklyn, New York elementary school, and one Isaac Asimov literary award are named in his honor. (read more)

Asimov in 1965

lost horizon


Lost Horizon is a 1933 novel by English writer James Hilton. It is best remembered as the origin of Shangri-La, a fictional utopian lamasery high in the mountains of Tibet.

Hugh Conway, a veteran member of the British diplomatic service, finds inner peace, love, and a sense of purpose in Shangri-La, whose inhabitants enjoy unheard-of longevity. Among the book’s themes is an allusion to the possibility of another cataclysmic world war brewing. It is said to have been inspired at least in part by accounts of travels in Tibetan borderlands, published in National Geographic by the explorer and botanist Joseph Rock.

The book explicitly notes having made war on the ground man would now fill the skies with death, and all precious things were in danger of being lost, like the lost histories of Rome (“Lost books of Livy”). It was hoped that overlooked by the violent, Shangri-la would preserve them and reveal them later to a receptive world exhausted by war. That was the real purpose of the lamasery; study, inner peace, and long life were a side benefit to living there.

Conway is a veteran of the trench warfare of WWI, with the emotional state frequently cited after that war—a sense of emotional exhaustion or accelerated emotional aging. This harmonizes with the existing residents of the lamasery and he is strongly attracted to life at Shangri-La. (read more) (world peace)

exterminate all rational thought


Naked Lunch is considered Burroughs’ seminal work, and one of the landmark publications in the history of American literature. Extremely controversial in both its subject matter and its use of obscene language (something Burroughs recognized and intended), the book was banned in Boston and Los Angeles in the United States, and several European publishers were harassed. It was one of the most recent American books over which an obscenity trial was held. The book was banned in Boston in 1962 due to obscenity (notably child murder and acts of pedophilia), but that decision was reversed in 1966 by the Massachusetts Supreme Judicial Court. The Appeals Court found the book did not violate obscenity statutes, as it was found to have some social value. The hearing included testimony in support of the work by Allen Ginsberg and Norman Mailer.

William S. Burroughs

video clip

illusions


Illusions: The Adventures of a Reluctant Messiah is a novel by writer and pilot Richard Bach. First published in 1977, the story questions the reader’s view of reality, proposing that what we call reality is merely an illusion we create for learning and enjoyment. Illusions was the author’s followup to 1970’s Jonathan Livingston Seagull.

Book of the Century

Samuel Langhorne Clemens
(November 30, 1835 – April 21, 1910)

Mark Twain’s Autobiography or The Autobiography of Mark Twain refers to a lengthy set of reminiscences, dictated, for the most part, in the last few years of American author Mark Twain’s life and left in typescript and manuscript at his death. The Autobiography comprises a rambling collection of anecdotes and ruminations rather than a proper autobiography.

The first edition of the entire manuscript is scheduled for publication in November 2010, the 100th anniversary year of Twain’s death, edited by the The Mark Twain Papers and Project of The Bancroft Library at University of California, Berkeley and published by University of California Press.

Twain first started to compose an autobiography in 1870, but proceeded fitfully, abandoning the work and returning to it as the mood took him. In a 1904 letter to William Dean Howells, he wrote: “I’ve struck it! And I will give it away—to you. You will never know how much enjoyment you have lost until you get to dictating your autobiography.” By 1904 Twain had embarked on what he called his “Final (and Right) Plan” for telling the story of his life. However, after 1907 he again seems to have let the book languish; in 1908-9 he hardly added to it at all, and he declared the project concluded in 1909, after the death of his youngest daughter Jean. His innovative notion — to “talk only about the thing which interests you for the moment” — meant that his thoughts could range freely. Twain thought his autobiography would be most entertaining if he went off on whims and tangents in non-sequential order.

Twain outlined a plan in 1899 for an autobiographical work which was to be published (according to different accounts of the episode) either “100 years from now” or “100 years after his death.” A manuscript note in the Mark Twain Papers (UC Berkeley) indicates a 100-year ban was what he was contemplating. Twain did produce a preface ‘From the Grave’ claiming that the book would not be published until after his death, which allowed him to speak with his “whole frank mind.” (read more) (nytimes)

Lord of the Flies


Lord of the Flies is a novel by Nobel Prize-winning author William Golding. It is about group of British schoolboys stuck on a deserted island who try to govern themselves, with disastrous results. Its stances on the already controversial subjects of human nature and individual welfare versus the common good earned it position 68 on the American Library Association’s list of the 100 most frequently challenged books of 1990–1999. In 2005, the novel was chosen by Time magazine as one of the 100 best English-language novels from 1923 to 2005 and was awarded a place on both lists of Modern Library 100 Best Novels, reaching #41 on the editor’s list, and #25 on the reader’s list. Published in 1954, Lord of the Flies was Golding’s first novel, in response to The Coral Island. Although it was not a great success at the time—selling fewer than 3000 copies in the United States during 1955 before going out of print—it soon went on to become a bestseller, and by the early 1960s was required reading in many schools and colleges. It was adapted to film in 1963 by Peter Brook, and again in 1990 by Harry Hook.

The book takes place in the midst of a fictive World War III, suggested by passing references to the use of an “atom bomb”, British conflict with the “Reds”, and the possibility of spaceflight after the war ends. The main characters are evacuees from schools in Great Britain whose plane crash landed on a deserted island. Some are ordinary students, while others arrive as a coherent body under an established leader (a choir). Most appear never to have encountered each other before. The book portrays their descent into savagery; left to themselves in a paradisaical country, far from modern civilization, the well-educated children regress to a primitive state.

At an allegorical level, the central theme is the conflicting impulses toward civilization—live by rules, peacefully and in harmony—and towards the will to power. Different subjects include the tension between groupthink and individuality, between rational and emotional reactions, and between morality and immorality. How these play out, and how different people feel the influences of these, forms a major subtext of Lord of the Flies. (read more)

Thou Art God

“I am only an egg”

Stranger in a Strange Land is a best-selling 1961 Hugo Award-winning science fiction novel by Robert A. Heinlein. It tells the story of Valentine Michael Smith, a human raised by Martians on the planet Mars, after his return to Earth in early adulthood. The novel explores his interaction with—and the eventual transformation of—Earth culture. The novel’s title refers to the Biblical Book of Exodus. According to Heinlein in Grumbles from the Grave, the novel’s working title was The Heretic. Several later editions of the book have promoted it as “The most famous Science Fiction Novel ever written.”

When Heinlein first wrote Stranger in a Strange Land, his editors at Putnam required him to drastically cut its original 220,000-word length, and to remove some scenes that might have been considered too shocking at the time. The resulting edited version was, according to Heinlein, 160,067 words. (He joked about sending in the last 67 to the publisher on a postcard.) In 1962, this version received the Hugo Award for the Best Science Fiction Novel of the Year. After Heinlein’s death in 1988, his wife Virginia arranged to have the original uncut version of the manuscript published in 1991 by Ace/Putnam. Critics disagree over whether Heinlein’s preferred original manuscript is in fact better than the heavily-edited version originally published. There is similar contention over the two versions of Heinlein’s Podkayne of Mars.

While initially a success among science fiction readers, over the following six years word-of-mouth caused sales to build, requiring numerous subsequent printings of the first Putnam edition. The novel has never been out of print. Eventually Stranger in a Strange Land became a cult classic, attracting many readers who would not ordinarily read a work of science fiction. The late-1960s counterculture, popularized by the hippie movement, was influenced by its themes of individual liberty, self-responsibility, sexual freedom, and the influence of organized religion on human culture and government, and adopted the book as something of a manifesto.

In 1968, Tim Zell (now Oberon Zell-Ravenheart) and others formed a neo-pagan religious organization called the Church of All Worlds, modeled after the religion founded by the primary characters in the novel. Except for correspondence with Zell (a lengthy letter to Zell appears as a letter to “a Fan” toward the end of the book in Grumbles from the Grave) and a paid subscription to the Church’s Green Egg magazine during the 1970s (as Heinlein refused to accept a complimentary subscription), Heinlein had no other connection to the project.

Stranger was written in part as a deliberate attempt to challenge social mores. In the course of the story, Heinlein uses Smith’s open-mindedness to reevaluate such institutions as religion, money, monogamy, and the fear of death. Heinlein completed writing it ten years after he had (uncharacteristically) plotted it out in detail. He later wrote, “I had been in no hurry to finish it, as that story could not be published commercially until the public mores changed. I could see them changing and it turned out that I had timed it right.”
(read more)

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