Category: god
![]() |
| God exists and is abstract and impersonal. |
WHERE did humankind come from?
If youâre going to ask Zecharia Sitchin, be ready for a âPlanet of the Apesâ scenario: spaceships and hieroglyphics, genetic mutations and mutinous space aliens in gold mines.
It sounds like science fiction, but Mr. Sitchin is sure this is how it all went down hundreds of thousands of years ago in Mesopotamia. Humans were genetically engineered by extraterrestrials, he said, pointing to ancient texts to prove it.
In Mr. Sitchinâs Upper West Side kitchen, evolution and creationism collide. He is an apparently sane, sharp, University of London-educated 89-year-old who has spent his life arguing that people evolved with a little genetic intervention from ancient astronauts who came to Earth.
Born in Russia and raised in Israel, Mr. Sitchin studied economics in London and worked as a journalist and editor in Israel before moving to New York in 1952. Here, he was an executive at a shipping company and, with his wife of 66 years (she died in 2007), raised two daughters. He spent his free time studying, leading archaeological tours to ancient sites and spreading his unusual gospel.
Starting in childhood, he has studied ancient Hebrew, Akkadian and Sumerian, the language of the ancient Mesopotamians, who brought you geometry, astronomy, the chariot and the lunar calendar. And in the etchings of Sumerian pre-cuneiform script â the oldest example of writing â are stories of creation and the cosmos that most consider myth and allegory, but that Mr. Sitchin takes literally. (nytimes.com) (sitchin.com)
“Oh my son, arise from thy bed, from thy slumber, work what is wise,
Fashion servants for the Gods, may they produce their bread.
Oh my mother, the creature whose name thou has uttered, it exists,
Bind upon it the will of the Gods;
Mix the heart of clay that is over the Abyss,
The good and princely fashioners will thicken the clay
Thou, do thou bring the limbs into existence;
Ninmah will work above thee
Nintu will stand by thy fashioning;
Oh my mother, decree thou its fate.”
Behold the rain which descends
from heaven upon our vineyards,
there it enters the roots of the vines,
to be changed into wine,
a constant proof that God loves us,
and loves to see us happy.
Benjamin Franklin.

In mathematics, the Fibonacci numbers are the numbers in the following integer sequence:
0, 1, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144…
By definition, the first two Fibonacci numbers are 0 and 1, and each subsequent number is the sum of the previous two.
In mathematical terms, the sequence Fn of Fibonacci numbers is defined by the recurrence relation with seed values.
The Fibonacci sequence is named after Leonardo of Pisa, who was known as Fibonacci. Fibonacci’s 1202 book Liber Abaci introduced the sequence to Western European mathematics, although the sequence had been described earlier in Indian mathematics. (By modern convention, the sequence begins with F0 = 0. The Liber Abaci began the sequence with F1 = 1, omitting the initial 0, and the sequence is still written this way by some.)
Fibonacci numbers are closely related to Lucas numbers in that they are a complementary pair of Lucas sequences. They are intimately connected with the golden ratio, for example the closest rational approximations to the ratio are 2/1, 3/2, 5/3, 8/5, … . Applications include computer algorithms such as the Fibonacci search technique and the Fibonacci heap data structure, and graphs called Fibonacci cubes used for interconnecting parallel and distributed systems. They also appear in biological settings, such as branching in trees, arrangement of leaves on a stem, the fruit spouts of a pineapple, the flowering of artichoke, an uncurling fern and the arrangement of a pine cone. (read more)

The Miracle of the Sun (Portuguese: O Milagre do Sol) refers to an event on 13 October 1917, when 30,000 to 100,000 people gathered near Fátima, Portugal, to witness an expected miracle. Three young shepherd children had predicted that at high-noon, the Blessed Virgin Mary would appear in the Cova da Iria fields.
According to many witness statements, after a downfall of rain, the dark clouds broke and the sun appeared as an opaque, spinning disc in the sky. It was said to be significantly duller than normal, and to cast multicolored lights across the landscape, the shadows on the landscape, the people, and the surrounding clouds. The sun was then reported to have careened towards the earth in a zigzag pattern, frightening some of those present who thought it meant the end of the world. Witnesses reported that their previously wet clothes became “suddenly and completely dry, as well as the wet and muddy ground that had been previously soaked because of the rain that had been falling”.
Some of the witness statements follow below. They are taken from John De Marchi’s several books on the matter.
“Before the astonished eyes of the crowd, whose aspect was biblical as they stood bare-headed, eagerly searching the sky, the sun trembled, made sudden incredible movements outside all cosmic laws â the sun ‘danced’ according to the typical expression of the people.” â Avelino de Almeida, writing for O Século (Portugal’s most widely circulated and influential newspaper, which was pro-government and anti-clerical at the time Almeida’s previous articles had been to satirize the previously reported events at Fátima).
“The sun, at one moment surrounded with scarlet flame, at another aureoled in yellow and deep purple, seemed to be in an exceedingly swift and whirling movement, at times appearing to be loosened from the sky and to be approaching the earth, strongly radiating heat.” â Dr. Domingos Pinto Coelho, writing for the newspaper Ordem.
“…The silver sun, enveloped in the same gauzy grey light, was seen to whirl and turn in the circle of broken clouds… The light turned a beautiful blue, as if it had come through the stained-glass windows of a cathedral, and spread itself over the people who knelt with outstretched hands… people wept and prayed with uncovered heads, in the presence of a miracle they had awaited. The seconds seemed like hours, so vivid were they.” â Reporter for the Lisbon newspaper O Dia.
“The sun’s disc did not remain immobile. This was not the sparkling of a heavenly body, for it spun round on itself in a mad whirl, when suddenly a clamor was heard from all the people. The sun, whirling, seemed to loosen itself from the firmament and advance threateningly upon the earth as if to crush us with its huge fiery weight. The sensation during those moments was terrible.” â Dr. Almeida Garrett, Professor of Natural Sciences at Coimbra University.
“As if like a bolt from the blue, the clouds were wrenched apart, and the sun at its zenith appeared in all its splendor. It began to revolve vertiginously on its axis, like the most magnificent firewheel that could be imagined, taking on all the colors of the rainbow and sending forth multicolored flashes of light, producing the most astounding effect. This sublime and incomparable spectacle, which was repeated three distinct times, lasted for about ten minutes. The immense multitude, overcome by the evidence of such a tremendous prodigy, threw themselves on their knees.” â Dr. Formigão, a professor at the seminary at Santarém, and a priest.
“I feel incapable of describing what I saw. I looked fixedly at the sun, which seemed pale and did not hurt my eyes. Looking like a ball of snow, revolving on itself, it suddenly seemed to come down in a zig-zag, menacing the earth. Terrified, I ran and hid myself among the people, who were weeping and expecting the end of the world at any moment.” â Rev. Joaquim Lourenço, describing his boyhood experience in Alburitel, eighteen kilometers from Fatima.
“On that day of October 13, 1917, without remembering the predictions of the children, I was enchanted by a remarkable spectacle in the sky of a kind I had never seen before. I saw it from this veranda…” â Portuguese poet Afonso Lopes Vieira.
According to De Marchi, “Engineers that have studied the case reckoned that an incredible amount of energy would have been necessary to dry up those pools of water that had formed on the field in a few minutes as it was reported by witnesses.”
De Marchi claims that the prediction of an unspecified “miracle”, the abrupt beginning and end of the alleged miracle of the sun, the varied religious backgrounds of the observers, the sheer numbers of people present, and the lack of any known scientific causative factor make a mass hallucination unlikely. That the activity of the sun was reported as visible by those up to 18 kilometres (11 mi) away, also precludes the theory of a collective hallucination or mass hysteria.
Pio Scatizzi, S.J. describes events of Fátima and concludes: The solar phenomena were not observed in any observatory. Impossible that they should escape notice of so many astronomers and indeed the other inhabitants of the hemisphere. Either all the observers in Fátima were collectively deceived and erred in their testimony, or we must suppose an extra-natural intervention.
Joe Nickell, a skeptic and investigator of paranormal phenomena, claims that the position of the phenomenon, as described by the various witnesses, is at the wrong azimuth and elevation to have been the sun.
Jacques Vallée has contributed to the investigation of the Miracle at Fatima and Marian apparitions. His work has been used to support the Fatima UFO Hypothesis. Vallée is one of the first people to speculate about the possibility that the Miracle at Fatima was a UFO. This wasn’t initially recognized as such due to lack of knowledge about UFOs at that time. It is believed by many that if they were aware of the UFO phenomenon that they would have initially assumed it was a UFO instead of a miracle. Vallée has also speculated about the possibility that other religious apparitions may have been the result of UFO activity including the Miracle of Lourdes and the revelations to Joseph Smith. Vallée and other researchers have advocated further study of unusual phenomena in the academic community. They don’t believe that this should be handled solely by theologians. (read more) (video clip)























