Category: movies
Annette Joanne Funicello (October 22, 1942 â April 8, 2013) was an American actress and singer. Beginning her professional career as a child performer at the age of twelve, Funicello rose to prominence as one of the most popular “Mouseketeers” on the original Mickey Mouse Club.
As a teenager, she transitioned to a successful career as a singer with the pop singles “O Dio Mio,” “Tall Paul” and “Pineapple Princess”, as well as establishing herself as a film actress, popularizing the successful “Beach Party” genre alongside co-star Frankie Avalon during the mid-1960s.
In 1992, Funicello announced her having been diagnosed with multiple sclerosis. She died from complications of the disease on April 8, 2013. (read more)
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Raymond Frederick “Ray” Harryhausen (June 29, 1920 â May 7, 2013) was an American visual effects creator, writer, and producer who lived in London, England, from 1960 until his death in 2013. He created a brand of stop-motion model animation known as “Dynamation.”
His most memorable works include the animation on Mighty Joe Young, with pioneer Willis H. O’Brien, which won the Academy Award for special effects (1949); The 7th Voyage of Sinbad, his first color film; and Jason and the Argonauts, featuring a famous sword fight against seven skeleton warriors.
Before the advent of computers for camera motion control and CGI, movies used a variety of approaches to achieve animated special effects. One approach was stop-motion animation which used realistic miniature models (more accurately called model animation), used for the first time in a feature film in The Lost World (1925), and most famously in King Kong (1933).
The work of pioneer model animator Willis O’Brien in King Kong inspired Harryhausen to work in this unique field, almost single-handedly keeping the technique alive for three decades. While O’Brien’s career floundered for most of his life â most of his cherished projects were never realized â Harryhausen achieved considerable success.
The Harryhausen family announced his death via Twitter and Facebook on May 7, 2013. The Mirror quoted Harryhausen’s website, saying his “influence on todayâs film makers was enormous, with luminaries; Steven Spielberg, James Cameron, Peter Jackson, George Lucas, John Landis and the UK’s own Nick Park have cited Harryhausen as being the man whose work inspired their own creations.” The BBC quoted Peter Lord of Aardman Animations, saying he was “a one-man industry and a one-man genre” on Twitter. They quoted Shaun of the Dead director Edgar Wright: “I loved every single frame of Ray Harryhausen’s work … He was the man who made me believe in monsters.” In a full statement released by the family, George Lucas said, “Without Ray Harryhausen, there would likely have been no Star Wars”. (read more)
Jonathan Harshman Winters III (November 11, 1925 â April 11, 2013) was an American comedian, actor and artist.
Beginning in 1960, Winters recorded many classic comedy albums for the Verve Records label. He also had comedy albums released every decade for over 50 years, receiving 11 Grammy Award for Best Comedy Album nominations during his career, and winning the Grammy Award for Best Spoken Comedy Album for Crank(y) Calls in 1996.
Winters has also appeared in hundreds of television show episodes/series and films combined, including eccentric characters on The Steve Allen Show, The Garry Moore Show, The Wacky World of Jonathan Winters (1972â74), Mork & Mindy, Hee Haw and in It’s a Mad, Mad, Mad, Mad World.
A pioneer of improvisational stand-up comedy with a gift for mimicry, various personalities and a seemingly bottomless reservoir of creative energy, Winters was one of the first celebrities to go public with a personal mental illness issue and felt stigmatized as a result. According to Jack Paar, âIf you were to ask me the funniest 25 people Iâve ever known, Iâd say, âHere they are â Jonathan Wintersâ.” He also said of Winters, âPound for pound, the funniest man aliveâ.
In 1991, Winters earned an Emmy Award for his supporting role in Davis Rules. In 2002, he earned an Emmy nomination as a guest star in a comedy series for Life With Bonnie. In 1999, Winters was awarded the Mark Twain Prize for American Humor. In 2008, Winters was presented with a Pioneer TV Land Award by Robin Williams.
Winters also spent time painting and presenting his art in many gallery shows. (read more)
- Labels: comedy, humour, imagination, movies, television
In the far future, the known universe is ruled by Padishah Emperor Shaddam Corrino IV. The most important substance in his galactic empire is the spice melange. The spice has many special properties, such as extending life and expanding consciousness. The most profitable of its properties is its ability to assist the Spacing Guild with folding space. The spice is vital to space travel because it allows safe interstellar travel to any part of the universe instantaneously.
Sensing a potential threat to spice production, the Guild sends an emissary to demand an explanation from the Emperor, who confidentially shares his plans to destroy House Atreides. The popularity of Duke Leto Atreides has grown, and he is suspected to be amassing a secret army using sonic weapons called Weirding Modules, making him a threat to the Emperor. Shaddam’s plan is to give the Atreides control of the planet Arrakis (also known as Dune), the only source of spice, and to have them ambushed there by their longtime enemies, the Harkonnens. The Navigator commands the Emperor to kill the Duke’s son, Paul Atreides, a young man who dreams prophetic visions of his purpose. The order draws the attention of the Bene Gesserit sisterhood, as Paul is tied to their centuries-long breeding program which seeks to produce the superhuman Kwisatz Haderach. Paul is tested by the Bene Gesserit Reverend Mother Gaius Helen Mohiam. With a deadly gom jabbar at his throat, Paul is forced to place his hand in a box which subjects him to excruciating pain. He passes to Mohiam’s satisfaction.
Meanwhile, on the industrial world of Giedi Prime, the sadistic Baron Vladimir Harkonnen tells his nephews Glossu Rabban and Feyd-Rautha about his plan to eliminate the Atreides by manipulating someone into betraying the Duke. The Atreides leave Caladan for Arrakis, a barren desert planet plagued by gigantic sandworms and populated by the Fremen, mysterious people who have long held a prophecy that a messiah would come to lead them to freedom. Upon arrival on Arrakis, Leto is informed by one of his right-hand men, Duncan Idaho, that the Fremen have been underestimated, as they exist in vast numbers and could prove to be powerful allies. Leto gains the trust of Fremen, but before the Duke can establish an alliance with them, the Harkonnens launch their attack. (read more)
Ernest Borgnine (born Ermes Effron Borgnino; January 24, 1917 â July 8, 2012) was an American film and television actor whose career spanned more than six decades. He was an unconventional lead in many films of the 1950s, winning an Oscar in 1955 for Marty. On television, he played Quinton McHale in the 1962â1966 series McHale’s Navy and co-starred in the mid-1980s action series Airwolf, in addition to a wide variety of other roles. Borgnine was also known for his role as Mermaid Man in the animated television series SpongeBob SquarePants. Borgnine earned an Emmy Award nomination at age 92 for his work on the series ER. (read more)
- Labels: death, film, movies, television
“I’ve seen things you people wouldn’t believe.
Attack ships on fire off the shoulder of Orion.
I watched c-beams glitter in the dark near the Tanhauser Gate.
All those moments will be lost in time, like tears in rain.
Time to die.”
Stanley Kubrick (July 26, 1928 â March 7, 1999) was an American film director, writer, producer, and photographer who lived in England during most of the last four decades of his career. Kubrick was noted for the scrupulous care with which he chose his subjects, his slow method of working, the variety of genres he worked in, his technical perfectionism, and his reclusiveness about his films and personal life. He maintained almost complete artistic control, making movies according to his own whims and time constraints, but with the rare advantage of big-studio financial support for all his endeavors.
Kubrick’s films are characterized by a formal visual style and meticulous attention to detailâhis later films often have elements of surrealism and expressionism that eschews structured linear narrative. His films are repeatedly described as slow and methodical, and are often perceived as a reflection of his obsessive and perfectionist nature. A recurring theme in his films is man’s inhumanity to man. While often viewed as expressing an ironic pessimism, a few critics feel his films contain a cautious optimism when viewed more carefully.
The film that first brought him attention to many critics was Paths of Glory, the first of three films of his about the dehumanizing effects of war. Many of his films at first got a lukewarm reception, only to be years later acclaimed as masterpieces that had a seminal influence on many later generations of film-makers. Considered especially groundbreaking was 2001: A Space Odyssey noted for being both one of the most scientifically realistic and visually innovative science-fiction films ever made while maintaining an enigmatic non-linear storyline. He voluntarily withdrew his film A Clockwork Orange from England, after it was accused of inspiring copycat crimes which in turn resulted in threats against Kubrick’s family. His films were largely successful at the box-office, although Barry Lyndon performed poorly in the United States. Living authors Anthony Burgess and Stephen King were both unhappy with Kubrick’s adaptations of their novels A Clockwork Orange and The Shining respectively, and both authors were engaged with subsequent adaptations. All of Kubrick’s films from the mid-1950s to his death except for The Shining were nominated for Oscars, Golden Globes, or BAFTAs. Although he was nominated for an Academy Award as a screenwriter and director on several occasions, his only personal win was for the special effects in 2001: A Space Odyssey.
Even though all of his films, apart from the first two, were adapted from novels or short stories, his works have been described by Jason Ankeny and others as “original and visionary”. Although some critics, notably Andrew Sarris and Pauline Kael, frequently disparaged Kubrick’s work, Ankeny describes Kubrick as one of the most “universally acclaimed and influential directors of the postwar era” with a “standing unique among the filmmakers of his day.”
“I have come here
to chew bubble gum and kick ass,
and I’m all out of bubble gum.”