“Little Boy” detonates over Hiroshima,
Monday, August 6, 1945
Category: fear
Fascism is one word for what we’re seeing
As FDR knew, it’s actually capitalism without boundaries, and it’s apolitical.
Article by: BONNIE BLODGETT
It’s a well-known fact that as a young man Ronald Reagan supported Franklin Roosevelt’s New Deal.
An acquaintance of mine who happens to be a prominent politician and who knew Reagan personally says that Reagan later was “absolutely certain” that, had FDR lived to preside over postwar America, he would have “seen the light.”
Reagan himself saw the light — got his first glimmer, anyway (his full conversion to conservatism came later under the guidance of a hard-nosed labor negotiator) –while working for the Screen Actors Guild, an organization crawling with Commies. Most had joined the party to protest the fascism that had gripped Germany and was about to subjugate Europe.
Whether FDR would have flip-flopped remains an open question, but I doubt it. Roosevelt had a more nuanced understanding of economics than Reagan did. He knew that fascism is capitalism without boundaries, that both fascism and communism (with a small “c”) are apolitical, and that economics trumps politics every time.
Born into wealth, FDR understood that Wall Street traders had a gambling mentality and that outwitting the feds was part of the game. In 1934, he set out to level the playing field. His Securities and Exchange Commission ushered in the longest stretch of financial stability in U.S. history.
Most Americans in the 1950s paid scant attention to any of this, thanks in part to the sense of security FDR had provided by ending the Depression and winning the war. To them Stalin was the new Hitler. After all, hadn’t Stalin annexed the entire eastern bloc in a brazen, Nazi-style power grab?
Something else FDR understood, having fought with the Soviets and having sat beside their leader at Yalta, was that those countries were the spoils of a war that took 40 million Russian lives.
Fast-forward four decades. By the time Reagan imperiously commanded Gorbachev to “tear down that wall,” the evil empire had already imploded. It was in its death throes. The U.S. president relished his opportunity to turn the Russian people’s suffering into a live-action morality tale.
The longer the bread lines in Moscow, the more he mocked the austerity that such images displayed. To Reagan, the lesson could not have been simpler. Get out those credit cards, America, and turn up the thermostat. The Cold War’s over and the good guys won.
The private sector saw an opportunity, too — in the president’s giddy enthusiasm for unfettered capitalism. On the home front, deregulation removed pesky governmental red tape and impediments to the consolidation of everything from banking to agriculture.
Americans for the most part enjoyed their spending spree. And why not? The stock market was booming. Banks were turning home ownership into a bet you never lose.
Few seemed alarmed by the S&L crisis, the tech bubble, Enron, Tyco et al. — or even knew that President Bill Clinton, in a failed effort to soften Republican positions on other issues, repealed the Glass-Steagall Act and set the stage for the mortgage crisis by turning the financial sector into what Charles Ferguson, whose scorching critique of Wall Street, “Inside Job,” won Best Documentary Film at last year’s Oscars, calls “the predator elite.”
Ferguson believes that a coalition of corporations and big banks has “captured and neutralized” elected officials. Campaign spending has soared by a factor of more than 300 since the late 1970s, and private-sector interests have outspent public-sector interests by “between 50 and 100 to one.”
Former U.S. Sen. Bill Bradley is also concerned. He spent $1.6 million to get elected in 1979. The seat Bradley held for 17 years cost his successor $65 million. And that was before super PACs. The winning candidate, a billionaire, financed his own victory.
Reckless spending at all levels of society caused the current recession, but if it weren’t for Republican spin, bought and paid for by the predator elite, the average American would have long since figured out not just that housing prices don’t always go up but how ill-advised were the Bush tax cuts, deregulation, and the leveraging of everything but Grandma.
They’d see that it wasn’t socialism that brought Europe to the brink of bankruptcy but American-style capitalism — real-estate deals and other high-risk ventures facilitated by something called the credit default swap that was all the more effective for its inscrutability.http://www.blogger.com/img/blank.gif
U.S. Supreme Court Justice Anthony Kennedy is learning the hard way that inscrutability is fascism’s ultimate weapon. His was the swing vote in the Citizens United case. He wrote the majority opinion granting corporations the same free-speech rights as people.
In the real world, that means unlimited spending on right-wing political causes and candidates. Kennedy insisted that along with such freedoms would come certain responsibilities: He required that all contributors identify themselves.
But economics trumps politics every time. Our democracy is now in its death throes. Enforcement has been deemed more trouble than it’s worth. (bonnieblodgett.com)
On his way from a convenience store with an ice tea and a bag of skittles, Trayvon Martin was headed to his fathers girlfriends apartment when George Zimmerman followed and questioned Trayvon, what happened next was an example of suspicion, fear and racism followed by the killing of Trayvon Martin, a 17 year old kid. (read more)
“I’ve seen things you people wouldn’t believe.
Attack ships on fire off the shoulder of Orion.
I watched c-beams glitter in the dark near the Tanhauser Gate.
All those moments will be lost in time, like tears in rain.
Time to die.”
Stanley Kubrick (July 26, 1928 â March 7, 1999) was an American film director, writer, producer, and photographer who lived in England during most of the last four decades of his career. Kubrick was noted for the scrupulous care with which he chose his subjects, his slow method of working, the variety of genres he worked in, his technical perfectionism, and his reclusiveness about his films and personal life. He maintained almost complete artistic control, making movies according to his own whims and time constraints, but with the rare advantage of big-studio financial support for all his endeavors.
Kubrick’s films are characterized by a formal visual style and meticulous attention to detailâhis later films often have elements of surrealism and expressionism that eschews structured linear narrative. His films are repeatedly described as slow and methodical, and are often perceived as a reflection of his obsessive and perfectionist nature. A recurring theme in his films is man’s inhumanity to man. While often viewed as expressing an ironic pessimism, a few critics feel his films contain a cautious optimism when viewed more carefully.
The film that first brought him attention to many critics was Paths of Glory, the first of three films of his about the dehumanizing effects of war. Many of his films at first got a lukewarm reception, only to be years later acclaimed as masterpieces that had a seminal influence on many later generations of film-makers. Considered especially groundbreaking was 2001: A Space Odyssey noted for being both one of the most scientifically realistic and visually innovative science-fiction films ever made while maintaining an enigmatic non-linear storyline. He voluntarily withdrew his film A Clockwork Orange from England, after it was accused of inspiring copycat crimes which in turn resulted in threats against Kubrick’s family. His films were largely successful at the box-office, although Barry Lyndon performed poorly in the United States. Living authors Anthony Burgess and Stephen King were both unhappy with Kubrick’s adaptations of their novels A Clockwork Orange and The Shining respectively, and both authors were engaged with subsequent adaptations. All of Kubrick’s films from the mid-1950s to his death except for The Shining were nominated for Oscars, Golden Globes, or BAFTAs. Although he was nominated for an Academy Award as a screenwriter and director on several occasions, his only personal win was for the special effects in 2001: A Space Odyssey.
Even though all of his films, apart from the first two, were adapted from novels or short stories, his works have been described by Jason Ankeny and others as “original and visionary”. Although some critics, notably Andrew Sarris and Pauline Kael, frequently disparaged Kubrick’s work, Ankeny describes Kubrick as one of the most “universally acclaimed and influential directors of the postwar era” with a “standing unique among the filmmakers of his day.”
As we approach on March 11 the one-year anniversary of the Fukushima nuclear disaster, itâs a good time to take heed of the lessons from that tragic event.
Lesson one: Governments lie.
Three Lessons of Fukushima, One Year Later | The Progressive
whats up: RC’s NUCLEAR BLOG
NO NUKES | RE-TOOL NOW
I’m a spy in the house of love
I know the dream, that you’re dreamin’ of
I know the word that you long to hear
I know your deepest, secret fear
If you don’t already know, there is a controversial bill President Obama signed into law on New Year’s Eve. Provisions within the NDAA allow for the indefinite detention of American citizens on US soil, without access to a trial or attorney. It’s a disgrace to the founding fathers, to our nation’s rule of law, and to every soldier who has given his or her life to protect our way of life. Many, even liberal Democrats, are now calling for Obama’s impeachment, and the recall of Congressional leaders who crammed this bill through.
(read more) (aclu blog) (NDAA)
- Labels: control, corruption, fascism, fear, now, war on terror
Will we ever be safe…?
no…
death stalks you.
- Labels: acceptance, death, fear, Life, now, perspective, truth
They go to fight for freedom,
but they are dying for conquest !!!
- Labels: arms trade, corporations, death, fear, greed, war
“Saturno devorando a su hijo.”
Saturn Devouring His Son is the name given to a painting by Spanish artist Francisco Goya. It depicts the Greek myth of the Titan Cronus (in the title Romanised to Saturn), who, fearing that he would be overthrown by his children, ate each one upon their birth. The work is one of the 14 so called Black Paintings that Goya painted directly onto the walls of his house sometime between 1819 and 1823. It was transferred to canvas after Goya’s death and has since been held in the Museo del Prado in Madrid. (read more)
Freedom riders were civil rights activists that rode interstate buses into the segregated southern United States to test the United States Supreme Court decision Boynton v. Virginia (of 1960). The first Freedom Ride left Washington, D.C., on May 4, 1961, and was scheduled to arrive in New Orleans on May 17.
Boynton v. Virginia had outlawed racial segregation in the restaurants and waiting rooms in terminals serving buses that crossed state lines. Five years prior to the Boynton ruling, the Interstate Commerce Commission had issued a ruling in Sarah Keys v. Carolina Coach Company that had explicitly denounced the Plessy v. Ferguson doctrine of separate but equal in interstate bus travel, but the ICC had failed to enforce its own ruling, and thus Jim Crow travel laws remained in force throughout the South.
The Freedom Riders set out to challenge this status quo by riding various forms of public transportation in the South to challenge local laws or customs that enforced segregation. The Freedom Rides, and the violent reactions they provoked, bolstered the credibility of the American Civil Rights Movement and called national attention to the violent disregard for the law that was used to enforce segregation in the southern United States. Riders were arrested for trespassing, unlawful assembly, and violating state and local Jim Crow laws, along with other alleged offenses.
Most of the subsequent rides were sponsored by the Congress of Racial Equality (CORE), while others belonged to the Student Nonviolent Coordinating Committee (SNCC, pronounced “Snick”). The Freedom Rides followed on the heels of dramatic sit-ins against segregated lunch counters conducted by students and youth throughout the South and boycotts beginning in 1960.
The United States Supreme Court’s decision in Boynton v. Virginia granted interstate travelers the legal right to disregard local segregation ordinances regarding interstate transportation facilities. But the Freedom Riders’ rights were not enforced, and their actions were considered criminal acts throughout most of the South. For example, upon the Riders’ arrival in Mississippi, their journey ended with imprisonment for exercising their legal rights in interstate travel. Similar arrests took place in other Southern cities. (read more) (american experience)
Eric Arthur Blair (25 June 1903 â 21 January 1950), better known by his pen name George Orwell, was an English author and journalist. His work is marked by keen intelligence and wit, a profound awareness of social injustice, an intense, revolutionary opposition to totalitarianism, a passion for clarity in language and a belief in democratic socialism.
Considered perhaps the twentieth century’s best chronicler of English culture, Orwell wrote fiction, polemical journalism, literary criticism and poetry. He is best known for the dystopian novel Nineteen Eighty-Four (published in 1949) and the satirical novella Animal Farm (1945). They have together sold more copies than any two books by any other twentieth-century author. His Homage to Catalonia (1938), an account of his experiences as a volunteer on the Republican side during the Spanish Civil War, together with his numerous essays on politics, literature, language and culture, are widely acclaimed.
Orwell’s influence on contemporary culture, popular and political, continues. Several of his neologisms, along with the term Orwellian, now a byword for any draconian or manipulative social phenomenon or concept inimical to a free society, have entered the vernacular. (read more)
“Nineteen Eighty-Four”
- Labels: big brother, delusion, fear, hate, human, propaganda