Category: awakening

Majel and Gene Roddenberry

Eugene Wesley “Gene” Roddenberry (August 19, 1921 – October 24, 1991) was an American screenwriter, producer and futurist. He created the American science-fiction series Star Trek, an accomplishment for which he was sometimes referred to as the “Great Bird of the Galaxy” due to the show’s influence on popular culture. He was one of the first people to have his ashes “buried” in space. Gene Roddenberry has been inducted into the Science Fiction Hall of Fame and has a star on the Hollywood Walk of Fame. He will be inducted into the Academy of Television Arts & Sciences’ Hall of Fame in January 2010.

As early as 1960, Gene Roddenberry had drafted a proposal for the science fiction series which would become Star Trek. Although he publicly marketed it as a Western in outer space – a so-called “Wagon Train to the Stars” – he privately told friends that he was actually modeling it on Jonathan Swift’s Gulliver’s Travels, intending each episode to act on two levels: as a suspenseful adventure story and as a morality tale.

Star Trek stories usually depict the adventures of humans and aliens who serve in the Federation’s Starfleet. The protagonists are essentially altruists whose ideals are sometimes only imperfectly applied to the dilemmas presented in the series. The conflicts and political dimensions of Star Trek sometimes represent allegories for contemporary cultural realities: Star Trek: The Original Series addressed issues of the 1960s, just as later spin-offs have reflected issues of their respective decades. Issues depicted in the various series include war and peace, the value of personal loyalty, authoritarianism, imperialism, class warfare, economics, racism, religion, human rights, sexism and feminism, and the role of technology. Roddenberry stated: “[By creating] a new world with new rules, I could make statements about sex, religion, Vietnam, politics, and intercontinental missiles. Indeed, we did make them on Star Trek: we were sending messages and fortunately they all got by the network.”

Roddenberry intended the show to have a highly progressive political agenda reflective of the emerging counter-culture of the youth movement, though he was not fully forthcoming to the networks about this. He wanted Star Trek to show mankind what it might develop into, if only it would learn from the lessons of the past, most specifically by ending violence. An extreme example are the Vulcans, who had a very violent past but learned to control their emotions. His efforts were somewhat thwarted by the network’s concerns over marketability. For example, they were opposed to Roddenberry’s insistence on a racially diverse crew of the Enterprise, against the opposition of the studio.

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