I dream of a Star Trek world. This think tank will focus on creative actions
designed to initiate a global paradigm shift towards a world where racism, poverty
and war will be a thing of the past.

Month: February 2015

The Hollow Men

T. S. Eliot





Mistah Kurtz—he dead.

      A penny for the Old Guy

      I

We are the hollow men
We are the stuffed men
Leaning together
Headpiece filled with straw. Alas!
Our dried voices, when
We whisper together
Are quiet and meaningless
As wind in dry grass
Or rats’ feet over broken glass
In our dry cellar

Shape without form, shade without colour,
Paralysed force, gesture without motion;

Those who have crossed
With direct eyes, to death’s other Kingdom
Remember us—if at all—not as lost
Violent souls, but only
As the hollow men
The stuffed men.

      II

Eyes I dare not meet in dreams
In death’s dream kingdom
These do not appear:
There, the eyes are
Sunlight on a broken column
There, is a tree swinging
And voices are
In the wind’s singing
More distant and more solemn
Than a fading star.

Let me be no nearer
In death’s dream kingdom
Let me also wear
Such deliberate disguises
Rat’s coat, crowskin, crossed staves
In a field
Behaving as the wind behaves
No nearer—

Not that final meeting
In the twilight kingdom

      III

This is the dead land
This is cactus land
Here the stone images
Are raised, here they receive
The supplication of a dead man’s hand
Under the twinkle of a fading star.

Is it like this
In death’s other kingdom
Waking alone
At the hour when we are
Trembling with tenderness
Lips that would kiss
Form prayers to broken stone.

      IV

The eyes are not here
There are no eyes here
In this valley of dying stars
In this hollow valley
This broken jaw of our lost kingdoms

In this last of meeting places
We grope together
And avoid speech
Gathered on this beach of the tumid river

Sightless, unless
The eyes reappear
As the perpetual star
Multifoliate rose
Of death’s twilight kingdom
The hope only
Of empty men.

      V

Here we go round the prickly pear
Prickly pear prickly pear
Here we go round the prickly pear
At five o’clock in the morning.

Between the idea
And the reality
Between the motion
And the act
Falls the Shadow
                                For Thine is the Kingdom

Between the conception
And the creation
Between the emotion
And the response
Falls the Shadow
                                Life is very long

Between the desire
And the spasm
Between the potency
And the existence
Between the essence
And the descent
Falls the Shadow
                                For Thine is the Kingdom

For Thine is
Life is
For Thine is the

This is the way the world ends
This is the way the world ends
This is the way the world ends
Not with a bang but a whimper.

kilroy was here

Kilroy was here is an American popular culture expression that became popular during World War II; it is typically seen in graffiti. Its origins are debated, but the phrase and the distinctive accompanying doodle — a bald-headed man (sometimes depicted as having a few hairs) with a prominent nose peeking over a wall with the fingers of each hand clutching the wall — became associated with GIs in the 1940s.

In the United Kingdom, the graffiti is known as “Mr Chad” or just “Chad”, and the Australian equivalent to the phrase is “Foo was here”. “Foo was here” might date from World War I, and the character of Chad may have derived from a British cartoonist in 1938, possibly pre-dating “Kilroy was here”. Etymologist Dave Wilton says, “Some time during the war, Chad and Kilroy met, and in the spirit of Allied unity merged, with the British drawing appearing over the American phrase.” “Foo was here” became popular amongst Australian schoolchildren of post-war generations. Other names for the character include Smoe, Clem, Flywheel, Private Snoops, Overby, The Jeep (as both characters had sizable noses), and Sapo.

Author Charles Panati says that in the United States “the mischievous face and the phrase became a national joke… The outrageousness of the graffiti was not so much what it said, but where it turned up.” The major Kilroy graffiti fad ended in the 1950s, but today people all over the world still scribble the character and “Kilroy was here” in schools, trains, and other similar public areas.

It is believed that James J. Kilroy was the origin of the expression, as he used the phrase when checking ships at the Fore River Shipyard. (read more) (fubar, snafu) (snafu cartoon)

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